Friday, December 21, 2012

Art class for 7 years old student - drawing profile first time.

At the beginning we discussed Matisse freedom, line and rhithm and Picasso approaches to moods and lines.
 H.Matisse. Yvonne Landsberg. Drawing, pencil.1914. 20 1/2 x 16 3/4"

H.Matisse. The Plummed Hat. Drawing, pencil.1914. 20 1/2 x 14"

Dore Maar Seated. Oil on canvas, 36 1/4 x 25 5/8.

During one session 7 year student created many amazing characters:



Tuesday, December 18, 2012

Soft pastel - one of my favorite mediums. My still lifes.

 Anastasia Samson. Still life with white teapot and lemons. Soft pastel on paper. 9 x 9 inches.

Anastasia Samson. Three lemons on the red plate. Soft pastel on paper. 11 x 11 inches.

 Anastasia Samson. Conch. Soft pastel on paper. 10 x 8 inches.

Friday, November 16, 2012

Pay what you wish and free Admission days at New York City Museums

Suggested Contribution:
Metropolitan Museum of Art
Brooklyn Museum
The American Museum of Natural History

On Thursdays:
MAD Museun of Arts and Design Pay-What-You-Wish from 6:00 pm to 9:00 pm:

On Fridays:
MoMA Free admission during Target Free Fridays from 4 - 8p.m.
Neue Galerie The museum is open to the public free from 6 to 8 p.m. on the first Friday of every month.
Rubin Museum of Art   Gallery admission is free for all every Friday from 6:00–10:00 p.m.
Whitney Museum of American Art Pay-what-you-wish 6 - 9 p.m.

On Saturdays:
Guggenheim Museum   from 5:45 -7:45 p.m. admission to the Guggenheim is "pay what you wish" by donation.
The Jewish Museum  Admission is free on Saturdays from 11 a.m. - 5:45 p.m.

On Sundays:
Frick Collection Pay-What-You-Wish on Sundays from 11 a.m. - 1 p.m.
children under ten are not admitted to the Collection.

Art Class - Georgia O'Keefe Inspired Paintings.


Usually I begin this class with an illustrated O'Keeffe 13 x 16 folio. We go through the book until we choose one painting, after we discuss color mixing and composition based on this artwork.

Art class for 2,5 years old.

 Oriental Poppies, 1927, Georgia O'Keeffe
Tempera on paper, 18 x 24.
Art class for 3,5 years old student. He chose to work with "White Birch" O'Keefe.
White birch, 1925. Oil on canvas, 36 x 30.






Tempera on paper, 16 x 22.





Angelika. Soft pastel and charcoal sketches

Angelika, thank you for having posed for me!

Anastasia Samson. Angelika. Soft pastel on paper. 2012
Anastasia Samson. Angelika. Carcoal on paper. 2012

Filipp Maliavin 1869-1940

Born Oct. 10 (22), 1869, in the village of Kazanka, in present-day Orenburg Oblast; died Dec. 23, 1940, in Brussels. Russian painter. Maliavin, the son of a peasant, studied at the monastery icon-painting workshop at Mount Athos in Greece from 1885 to 1891 and at the St. Petersburg Academy of Arts under I. E. Repin from 1892 to 1899. He visited France in 1900, and after 1922 he lived abroad. Maliavin painted a number of portraits of peasants.

Russian women.

Thursday, October 18, 2012

My acrylic free flow artworks

Anastasia Samson. Euterpe. Muse of music. Acrylic free flow on fabric, 50 x 30 inches.

Anastasia Samson. “The Dream” or "Puck". Acrylic free flow on card board 29 x 24 inches
 Anastasia Samson. Apollo and muses. Acrylic free flow on fabric, 47 x 37 inches.


Lyndhurst, also known as the Jay Gould estate, is a Gothic Revival country house

Lyndhurst, beautiful mansion also known as the Jay Gould estate.
Lindhurst is 20 min from Manhattan, near Tappan Zee Bridge.
Nice place to make pictures, which I did, below are some of them.

Sunday, September 9, 2012

"Art and brain: insights from neuropsychology, biology and evolution" by Dahlia W. Zaidel

Department of Psychology, University of California, Los Angeles (UCLA), California, USA


Art, as language, is grounded in symbolic and abstract cognition which are supported
by the unique neural wiring of the human brain. Such cognition is central to human
communication, whether through the arts, spoken language, body language or facial
expressions, all because of the access to many forms of mentally stored meanings and
knowledge. The more abstract a notion becomes, the more it can incorporate into it
different dimensions of concepts, details and categories (Liberman and Trope, 2008).
Abstract symbols condense levels of meanings and details derived from life’s experiences
into efficient mental conceptual conglomerates. Thus, symbolic thinking is a powerful
source for myriad of interpretations, associations, innovations and creativity and it is one
of the hallmarks of the human mind.
Zaidel, D.W. (2009) ‘The brain, biology and evolution in art and its communication’, Int. J. Arts and
Technology, Vol. 2, Nos. 1/2, pp.152–160

Biographical note: Dahlia W. Zaidel is a neuroscientist and professor in the department of psychology faculty, in the University of California at Los Angeles (UCLA). She obtained her PhD in 1982 at UCLA. She has been researching and publishing journal articles on memory in the brain, hemispheric specialisation, facial beauty and issues in art and brain. She is a member of the Brain Research Institute at her university, and has authored the book, Neuropsychology of Art: Neurological, Cognitive, and Evolutionary Perspectives (2005).


"Art and the theatre of mind and body" by Karen Ingham

Art and the theatre of mind and body: how contemporary arts practice is re-framing the anatomo-clinical theatre.

Neuroscience is a very attractive subject for artists, and indeed, for philosophers and scientists alike, as it deals with the ‘big questions’ such as: what is the self (and its corollary, what is ‘other’); what is consciousness; how does memory work (or not work).Ingham, K. (2010), Art and the theatre of mind and body: how contemporary arts practice is re-framing the anatomo-clinical theatre. Journal of Anatomy, 216: 251–263. doi: 10.1111/j.1469-7580.2009.01166.x

"The evolution of human artistic creativity" by Gillian M. Morriss-Kay Department of Physiology, Anatomy and Genetics, Oxford, UK

Very interesting article about creativity and importance of it  "The evolution of human artistic creativity" (follow this link and download PDF - illustrations are much better) by Professor Gillian M. Morriss-Kay Department of Physiology, Anatomy and Genetics, Oxford, UK.

"There is good evidence for a neurological relationship between visual creativity and language."
Morriss-Kay, G. M. (2010), The evolution of human artistic creativity. Journal of Anatomy, 216: 158–176. doi: 10.1111/j.1469-7580.2009.01160.x

Journal of Anatomy, Anatomical Society of Great Britain and Ireland. The Journal of Anatomy is a major international journal which carries articles contributing to the understanding of development, evolution and function through a broad range of anatomical approaches.

What is modern painting?

Really nice book What is Modern Painting? by Alfred H.Barr, Jr.
"This booklet is written for people who have had little experience in looking at paintings, particularly those modern paintings which are sometimes considered puzzling, difficult, incompetent or crazy."
What is modern painting? Alfred Hamilton Barr, The Museum of Modern Art, 1943

About  Alfred Hamilton Barr  from Dictionary of Art Historians.